That is not to say that Stardust is without its faults. Production values rival Hollywood, and the storyline is free of the racial stereotyping, misogyny, religious or class agendas than shape and pervert so many large scale fantasies. Wholly positive, and written with a clarity that makes it more worthy of psychoanalysis that a coven full of Harry Potter romps. Stardust is a full-on, large scale fantasy that does credit to its myriad stars. Till he achieves the maturity to discern pedestal divas from real women. Tristan's purity of spirit arouses the love of Yvaine, so there is a nice little triangle going. A buffoon trader throwing in standard Gervais-type gags well. Heirs of Stormhold meanwhile are engaged in a pitched battle over inheriting the Kingdom. He has a fierce, swashbuckling pirate exterior but is a sweetie closet queen underneath. (One of the witches is played by Michelle Pfeiffer, who does fabulous young-old transformations of looks and manner.) The 'good guy' they meet on their way is Captain Shakespeare (Robert de Niro). If they can eat her heart, it will replenish their youth. To complicate matters, three evil witches want to get hold of Yvaine.

He discovers the fallen star has taken the form of a beautiful girl, Yvaine (Claire Danes). So he pledges to bring back a falling star. Victoria doesn't take him very seriously. In search of something that will prove his love to Victoria (Sienna Miller). Tristan ventures out of a rather twee English village called Wall. Freud might express such things in symbols. Or (put simply) just find our way to true love and happiness. Perhaps overcome our fears, limitations and obstacles. There's a saying, 'Not all dreamers achieve, but all achievers dream.' By exploring our imagination we shape our own futures.

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